Landscapes di David Bellugi

29 Novembre 2016
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Linea David Bellugi music
UPC 3614972818371
© Copyright EMA Vinci
℗ Produttore EMA Vinci records
Anno di produzione 2016
Genre Classic – Chamber
Durata00:39:12
Data di pubblicazione11/29/2016

  1. Villancicos y Romances: No. 1, Amor con Fortuna
    Bellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:33
  2. Villancicos y Romances: No. 2, Triste España
    Bellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:42
  3. Villancicos y Romances: No. 3, Ay, Triste Que Vengo
    Bellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:00:45
  4. Villancicos y Romances: No. 4, Pues Que Ya
    Bellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:00:57
  5. Roumanian Folk Dances, Sz. 56 “Bot-tánc, Brâul, Topogó, Bucsumi tánc, Román Polka, Aprózó”Arr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:04:39
  6. Wir Glauben all an einem GottArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:20
  7. Histoire vom Propheten EliasArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:00:55
  8. Magyar TánzArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:00:55
  9. UntitledArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:00:29
  10. UngareschaArr. for Flute and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:30
  11. Passamezzo OngaroArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:06
  12. 12King DavidArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:18
  13. Melody of the Danube, Bellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward — 00:01:26
  14. Paesaje cubano con rumbaArr. for RecorderBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:07:46
  15. Roumanian Horra and BulgarArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:03:09
  16. Frailach Arr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:00:58
  17. Gypsy BulgarArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:01
  18. Bransle Gay IIArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:40
  19. Bransle de Champaigne XArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:38
  20. Bransle de Champaigne XIArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:01:35
  21. Recercada PrimeraArr. for Recorder and PercussionsBellugi Ensemble, David Bellugi, Ali Tajbakhsh, Chris Hayward – 00:02:50

 

Questo disco presenta una raccolta di musiche provenienti da epoche e cultura diverse, ma che hanno in comune una marcata connotazione etnica. Il filo conduttore è costituito dal flauto dolce, strettamente imparentato con altri strumenti di ascendenza popolare, le cui radici musicali affondano nella tradizione orale. Moltissima musica colta (in particolare quella che oggi chiamiamo “musica antica”) rielabora aspetti della cultura popolare, talvolta confondendosi in essa: se Encina usa liberamente temi e motivi della tradizione castigliana, i branles di Gervaise sono veri e propri modelli di trascrizione diretta dal patrimonio popolare. In questo contesto le percussioni assumono un ruolo assai delicato, di funzione decorazione da una parte, ma anche nel sottolineare le strutture formali dall’altra. L’applicazione della più recente tecnologia digitale mi ha offerto la possibilità di creare un’orchestra virtuale il cui repertorio ho curato, elaborato e diretto, suonando personalmente, eccetto le percussioni, tutti gli strumenti della famiglia del flauto dolce e del cromorno. (David Bellugi)

This disc presents a collection of music from different eras and cultures, but which have in common a marked ethnic connotation. The common thread is the recorder, closely related to other instruments of popular ancestry, whose musical roots are rooted in the oral tradition. A great deal of cultured music (in particular that which today we call “ancient music”) re-elaborates aspects of popular culture, sometimes becoming confused in it: if Encina freely uses the themes and motifs of the Castilian tradition, Gervaise’s branles are real models of transcription directed by popular heritage. In this context, the percussions take on a very delicate role, of decoration function on one side, but also in emphasizing the formal structures on the other. The application of the most recent digital technology has offered me the possibility of creating a virtual orchestra whose repertoire I edited, elaborated and directed, personally playing, except for percussion, all the instruments of the recorder and chromorn family.

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